An award given to the most promising young dancer: talent as responsibility
Der Heinz-Bosl-Preis wurde von Konstanze Vernon und Fred Hoffmann gegründet und bereits mehrmals vergeben. Bei der Matinee am 11. November 2018 wurde dieser Preis mit je € 1.500,00 an drei junge, talentierte Nachwuchstänzer (18 – 22 Jahre alt) vergeben.
Verleihung des „Heinz-Bosl-Preises“ als Auszeichnung für die hoffnungsvollsten Nachwuchstänzerinnen und – tänzer. Diese wird von einer Jury vergeben, die vom Stiftungsrat eingesetzt wird. Sollte die Jury keinen Preisträger benennen können, kann sie wahlweise Förderpreise an Nachwuchstänzerinnen und -tänzer vergeben, deren Entwicklung bzw. Leistung anerkennenswert ist. Die Dotierung dieser Preise soll in angemessener Abstufung zum „Heinz-Bosl-Preis“ stehen.
Gabriel Figueredo was born in Novo Hamburgo (Brazil) and grew up in Taquara and São Paulo. He began his ballet training at the school Andanças de Rita Candemil in Taquara before he went to Pavilhão D in São Paulo in 2010. In 2013 he won the Youth Grand Prix at the Youth America Grand Prix where he met Tadeusz Matacz, Director of the John Cranko Schule. Upon his invitation he continued his training at the John Cranko Schule in Stuttgart as of 2014 and graduated in 2019. Already as a student he was dancing with the Stuttgart Ballet. In 2017 Demis Volpi created the role of Tadzio in the opera-ballet-coproduction Death in Venice for him.
Gabriel Figueredo has already won numerous prestigious prizes. In 2018 he won the first prize in the Classical Dance Category at the Youth America Grand Prix in Barcelona as well as the Heinz-Bosl-Prize. In the following year he was awarded the prize as the best male dancer at the Prix de Lausanne 2019. He also won the Grand Prix and the Dance Europe Magazine Award at the Youth America Grand Prix 2019.
In the 2019/20 season Gabriel Figueredo became a member of Stuttgart Ballet’s Corps de ballet.He was promoted to Demi-Soloist at the beginning of the 2021/22 season.
Born in Tokyo, Japan, Koyo Yamamoto started dancing when he was 5 years old. From the age of 11 began training at the Acri-Horimoto Ballet Academy before being accepted at the Tanz Akademie in Zürich where continued his studies for another three years. During this time he won 1st Prize at the Talinn International Ballet Competition in Estonia and the 4th Prize at the prestigious Prix de Lausanne. In 2020 he joined the Dutch National Ballet’s Junior Company and in 2022 was promoted to the main company as an Élève.
Justin Rimke was born in Berlin and trained at the Staatliche Ballettschule Berlin. With the beginning of the 2016/17 season, Justin Rimke danced with the Bavarian Junior Ballett Munich as a scholarship holder of the Heinz-Bosl-Foundation. Since 2018 Justin has been a member of the DJKT Ballet Company in Pilzen, Czech Republic, where he has performed as Pepe in «House of Bernarda Albe», The Prince in «The Sleeping Beauty», Konrád & Ali in «Le Corsaire», Lucenzio in «The Taming of the Shrew», The Prince in «Gold Star Prince», Fate in «Anastasia – the last daughter of the Tsar», The Prince in «Swan Lake» and Espada in «Don Quixote» amongst others.
An artistic flame passed on from one outstanding dancer to the next.
Rafaelle Queiroz is from Brazil. She received her training in Rio de Janeiro and at the Akademie des Tanzes in Mannheim, where she received a scholarship from the Tanzstiftung Birgit Keil. She was a finalist at the «Prix de Lausanne» and won the Langham Award at the Youth American Grand Prix 2009. She was a member of the Badisches Staatsballett Karlsruhe from 2009 to 2019, where her roles included Odette/Odile in Christopher Wheeldon’s «Swan Lake», Myrtha in Peter Wright’s «Giselle», the title role in Peter Schaufuss’ «La Sylphide», Katharina/Bianca in Cranko’s «The Taming of the Shrew», Juliet in Kenneth MacMillan’s «Romeo and Juliet», and the title role in Jiří Bubeníček’s «Rusalka». In addition, she appeared in choreographies by Hans van Manen, Heinz Spoerli, Davide Bombana and Reginaldo Oliveira. She joined Ballett Zürich in the 2019/20 season.
Jacopo Bellussi was born in Genoa and trained at the Accademia Teatro alla Scala in Milano and the Royal Ballet School in London. He then went to Munich to join the first generation of what is now the Bavarian Junior Ballet Munich, when it was still under the leadership of Konstanze Vernon. In 2012, he joined the Hamburg Ballet John Neumeier. He became a soloist in 2017 and was promoted to principal at the beginning of the 2019/20 season. Working with John Neumeier, he created the role of A figure from the romantic novels Tatiana loves to read in «Tatjana», The Soldier’s Friend (Annunzio Cervi) in «Duse» and a solo in «Beethoven-Projekt». His repertoire in ballets by John Neumeier includes Alexej Vronski in «Anna Karenina», the title role in «Romeo and Juliet», Leonid Massine in «Nijinsky», Gaston Rieux and Des Grieux in «The Lady of the Camellias» and solo roles in «The Song of the Earth» and «Saint Matthew Passion». In 2016, the dance magazine Danza & Danza named him “Best Italian Dancer Abroad”.
Jonah Cook was born in England and began his dance training at Liberatus Dance in Swindon. He graduated from the Royal Ballet Upper School in London and went on to dance with the Royal Ballet in «Manon», «Romeo and Juliet» and «The Nutcracker», among other ballets. Jonah Cook joined the Bavarian State Ballet II (now Bavarian Junior Ballet Munich) as a trainee in September 2012 and was promoted to the ensemble of the Bavarian State Ballet at the beginning of the 2013/2014 season. A year later, he was promoted to soloist. He was promoted again in the 2016/2017 season (to first soloist) and became a principal at the beginning of the 2017/2018 season. He left the ensemble in 2019 to join Ballett Zürich in Switzerland. With the beginning of the 2020/21 season, Jonah Cook returned to the Bavarian State Ballet for two seasons, until July 2022. In June 2022 he showcased his first choreographic work, «Played», in an evening entitled “Heute ist morgen” (Today is tomorrow).
Ivy Amista was born in São Paolo in Brasil, where she trained professionally at the Camilla School of Ballet. After participating and winning the gold medal at the IX Seminario Internacional de danca in Brasilia in 2001, she received a scholarship to complete her training in Munich at the Heinz-Bosl-Stiftung. After graduating, she became a member of the Bavarian State Ballet. In 2004, she was made demi-soloist, followed by a promotion to soloist in the 2007/2008 season. At the beginning of the 2014/2015 season, Ivy Amista was made principal. She announced her retirement from the stage in June 2020 and now devotes herself to her new role as Ballet Mistress with the Bavarian State Ballet.
The foundation depends on the generosity of many individuals, who join us in nurturing ballet’s young talent – through donations, sponsorship, gifts and legacies.Learn more
For more than 40 years, the Heinz-Bosl-Stiftung has been instrumental in training new generations of dancers.Learn more