Backstage

Portrait

When treasures live on...

It was even more lively than usual last weekend: the local communal flea markets attracted many people to the various inner courtyards here in Schwabing. And we were there! Dancers from our boarding house sold some of their most beloved treasures ranging from leotards to ballet shoes, books to bitts and bobs. Many of them finding their new owners. Participation in the flea markets was offered by Viola Kleinfelder, our head of pastoral care, and Ida Keller, our boarding house manager. As part of ongoing pastoral care for the underage students of the boarding house, the evening before Viola Kleinfelder had baked cakes with them for which the proceeds went to supporting future socio-educational projects in the future. We look forward to participating again next year!

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Essay

As free and as wild as possible

Marco Goecke created «All Long Dem Day» 2015 for the Berlin State Ballet School. He was only commissioned for a two-person piece, but then decided to work with a whole group of students. Marco Goecke explains the fact that his choreographic language has been included in the repertoire of classical ballet schools over the past thirty years with the intention of opening up these these institutions to experience other styles and themes : “The good dancers of today have to be able to dance everything. The profession of dancer would not make sense if you did what you already knew you could do each day.”

Trailer

Explosive movement fragments from the studio

Created for the State Ballet School of Berlin in 2015, «All Long Dem Day» finds a perfect partner in crime with Nina Simone’s 1956 rendition of «Sinnerman». Originally a traditional African American spiritual song inspired by the book of Exodus, the lyrics describe a sinner attempting to hide from divine justice on Judgement Day. Simone often chose the song to close her early appearances in New York City’s Greenwich Village: “I want to shake people up so bad that when they leave a nightclub where I’ve performed, I want them to be in pieces.” Pairing Simone’s cries for forgiveness from transgression with Goecke’s explosive movement fragments, the relentlessness of «All Long Dem Day» reminds us that change is not only important but necessary to repair the social, moral and political ties that wither with the passage of time.

Portrait

Nothing short of miraculous

We are overjoyed at the great popularity and success of our performances of «The Triadic Ballet» in the Prinzregententheatre at the beginning of June. Due to a great demand and three sold-out performances, at short notice we decided to organise an additional performance. Thanks to the great support of everyone involved from the Prinzregententheatre, the Bavarian State Opera and the Central Ticket Office, we were able to realise the performance within three days and managed to sell 80% of the tickets. What a success for the young dancers! These four performances in three days allowed them to experience the demands of an ongoing performance rhythm and where they deepened their technique in «Concertante», they were able to develop artistically in «Triadic Ballet». We are deeply grateful to everyone involved who supported us in bringing this season to such a successful conclusion!

Essay

Rückkehr in kein fremdes Land

„Während meiner vielen Besuche beim Bayerischen Staatsballett konnte ich mich nie dem mächtigen Eindruck des Nationaltheaters entziehen, einem Gebäude, das eng mit München verbunden ist. Es ist das unruhige Herz dieser Stadt.“ – Jiří Kylián, 2008 

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